We had our first class group critique today (virtually) and this was the best critique I’ve ever experienced for several reasons. Our professor, Jeremy Chandler, gave us a list of questions to answer for each group members work. We posted to a private group on FLICKR and put the images in an album. Each member had a chance to answer the question about the artist’s work being reviewed, then the prof commented. We methodically moved to the next question and repeated the process. This experience was totally professional and collaborative. Everyone seemed inspired and encouraged. Our teaching assistant Jim worked with Jeremy to make sure each small group session ran perfectly so we could devote the necessary time to cover all the questions properly.
I worked really hard on this assignment and went to the Duck Pond in Milford, CT at least six times in order to fulfill the assignment which was to master camera settings using shallow and deep depth of field, blurred and stopped motion and two optional artist’s choice images. My favorite images are in the right column. Everyone liked the top left and top right images most.
This Flickr album has more info about each image:
Please note: this is the first post I’ve done with the new block editor:)
The air is so clean, the people are very friendly & the scenery is beautiful and there’s Dutton’s, a wonderful farm stand in Newfane. This was the first chance I had to really spend time out in nature working with the Nikon Z7 & the Nikon 24 -70mm 2.8 S lens.
Have been dancing around learning this Adobe Program for years and the time has come for a deep dive. This semester, I plan to study video at Southern Connecticut State University. In preparation, I usually try to get my brain around an unfamiliar program and started working my way methodically through a Lynda course. Animation has always been challenging for me. I plan to photograph and isolate botanical subjects which are appealing and animate them again moving water. So the concept for the project is very well defined. Excited about learning!
I placed this passion flower on the slim light plano for backlight and added soft diffused front light. Stopped down and got close and although a complete challenge to isolate the tendrils, managed to capture the essence of the flower in all its glorious complexity. This one will be fun to animate.
At Southern Connecticut State University, this semester, my portfolio development exhibit will include a participatory installation. During the semester I have been making macro images of botanical and natural subjects: orchids, iris, ferns, trees, leaves, etc, pushing towards very high key, very abstract or both.
Our professor, Jeremey Chandler, encouraged me to consider printing large and I am so very glad that I followed his advice. His teaching style really inspires me to move forward and find the right way. I did not want to make the botanical images large just for the sake of making large images even though this was something I always wanted to do. So I searched for a compelling reason and came up with something that seems fun and exciting.
I decided to explore the montage techniques which Jeremy discussed in class and constructed an imagined “natural floral “arrangement in very wide panoramic format from individual photographic elements. I intentionally left a noticeable amount of white space in this digital montage and realized that the negative space was very similar to how I had designed with real flowers when I had Buds & Blossoms Floral Design Studio in Westville twenty years ago.
What if I proposed encouraging fellow students to draw over the large printed images with pastels, pencils, etc.? The extra white space would readily permit this. Professor Chandler suggested looking at the writing of French art critic, Nicolas Bourriaud, whose theory on “relational aesthetics” proposes that “the artwork creates a social environment in which people come together to participate in a shared activity.” Jeremy also suggested presenting this idea during a class critique. Our discussion unearthed questions about the “value of the finished art piece.” Hopefully, the true value will become participation. Some folks like to draw particularly those that frequent the art building at a university!
Printing an 84 x 44 inch pano was a tad challenging but it was a thrill to use the new Epson P9000 series in our lab. It was easier than I expected even though the file was gigantic. We hung it using clips and it was thrilling to see the large piece on the wall. I went to Hulls Art Supply in New Haven several time to select pastels and pencils which paralleled the color palette. Moab Entrada Rag Bright is a beautiful matte paper made from 100% cotton. The soft texture lends itself nicely to fine art printing and was a perfect surface for the pastels.
Almost immediately the reactions of our art community were thrilling. One person shared his love of flowers and immediately identified the various species. We talked about the recent Roberto Burle Marx exhibit at the NYBG, Mapplethorpe’s perfect botanical images, Compo Farms, White Plains Orchids, studying floral design and local botanical artist, Ellen Hoverkamp. Another person read my artist statement and seemed quite moved.
Mary, from our class, had already made the first mark which was so subtle that I never noticed it on my fave flower, the large green orchid – Paphiopedilum Hsinying Citron. After viewing the pano at 100% for touch up at least 10 times before printing thought I knew the piece well. Another student, Kenny, is President of the SCSU photo club and I asked him if he would allow me to document his effort. It was fun to photograph Kenny adding to the montage.
Very quickly, a few more folks contributed and the montage took on an entire new life. Peggy made a lady bug and encouraged her design students to also draw on the pano. Subtle and strong shadings were added in the perimeter. Insects, more flowers, leaves and signatures were added.
By the following week, the Photo Club left their marks and making this a collaborative work of art. Amazing and thrilling to me, knowing the original piece so weIl, is the joy of discovering how so many artists made their own choices. Someone drew a beautiful large purple flower next to the “green paph.” It looks like the flowers are walking together!
Bees, spiders, rainbows and more appeared from imagination and the pano is becoming a collaborative vision of nature. Folks seem to be having fun. This has far surpassed anything I could have envisioned and I am humbled and happy.
I showed the Pano to my husband Steve, who is the kindest and most supportive person in the world. He succinctly sums it up: “ you are totally immersed in the world of flowers”.
My wide angle photograph does not do the work in progress justice…and it’s fun to see it up close…so please stop by to see our exhibit, Natural Spaces.
mine is Japanese and we are very fortunate in Connecticut to have several, wonderful Japanese restaurants close-by. It was fun to photograph and design the menu for MOMO in Orange, CT. Jasmine & Jeffrey asked me to incorporate images into their menu redesign (ten pages). MOMO means peach in Japanese and the white characters are literal.
For the past few years, I have been concentrating on Marketing & Design for several clients in the food service industry.
By providing comprehensive marketing support across all channels for Lighthouse Rum Cakes and Gelato Giuliana, as well as other clients, I have developed a broad range of experience and skills, not limited to award-winning graphic design and photography.
These efforts are supported by continued study in Business Administration and front/back end marketing communications protocols. My business and design philosophy provides unconditional support and availability.
I have also developed marketing communications for educational & clients in the retail and service industries. It is particularly gratifying to have won several design and photography awards.
Below are several more examples of my work in various sectors:
Because I manage social media for several clients, personally, I never, ever post, comment or share anything controversial which could potentially conflict with my client’s philosophy. After careful deliberation, I decided that most visitors to this post would be here to see my range and ability to take risks for a client w/their permission. So here u have it – the real designer inside takes a stand.
I was asked to use type only for this design to illustrate Open Type and it is, perhaps, my all-time favorite piece.
This university brochure design is very stylized – yet quite simple with references to grids & vectors.