day 4 – practice CaptureOne…

unfamiliarCOn

for the next 13 days, will post a new CaptureOne Practice Edit…the short term goal is to see significant progress in working with this exciting program…

#4 – layers allow significant in program control (in this case – healing) and this version has significantly more even color in the blue petals of the orchid than a previous Lightroom edit. This CaptureOne edit matches my memory of the flower and hope to see something equally unique tomorrow when we visit the Orchid Show at The New York Botanical Gardens. Wait for this day every year!!!

day 3 – practice CaptureOne…

frighteningFocusMask

for the next 14 days, will post a new CaptureOne Practice Edit…the short term goal is to see significant progress in working with this exciting program…

#3 – this tool is simply humbling, more so than an impolite critique and we’ve all been thru those:) and makes a case for also trying CO tether!

Macro focus is a challenge for me…my first photography professor looked at an image and “sorta sniffed” and whispered “depth of field”…so for years f11 just always felt right…it still does, although recently have been exploring the opposite. On one hand, it feels liberating to open up my aperture to the max and actually get a strand of focus in just the right spot.

So the Focus Mask display in CaptureOne is a fantastic reality check. And, it’s also important to keep in mind personal values in terms of style and experimentation.

 

the end of print…not so much

In the late 1990’s when I first studied Graphic Design at Southern CT State University, David Carson’s important work influenced artists. There is something to be said for paying respect to the “masters” and there is something to be said for “rules are made to be broken.” So I am referencing him as a source of inspiration as a nascent designer and also as a source of reflection. Although, “The End of Print” always has and always will be a debated topic among artsy types. In as much as it’s now standard to see something on a  phone, tablet, laptop or even a large 27″ monitor,   seeing the same work as large form fine art print is an awesome experience. DinoDanDesign

Artists sometimes play their cards close to the vest…”not me” so here is more than a “sneak peek” for an upcoming art exhibit Six Unique Perspectives

Six Unique Perspectives | New Haven CT

Botanical Elements is one of my four digital montages currently featured at a group exhibit at the Mitchell Library in New Haven, CT from Feb. 8th – Mar. 31st.  BotanicalElementsOur opening reception was exciting and very well attended. I created all the digital montages specifically for this space because many visitors to the Library are familiar with the  Dinosaur sculpture on the front lawn of the Yale Peabody Museum as well as the Handsome Dan sculpture on his own bench near the Yale bookstore. These vertical panoramas are almost four feet high and extremely eye-catching:)

DinoDanDesign

Botanical Elements is a finalist…

Inspired by my first large format botanical pano, I then created this montage in November for my final portfolio presentation at SCSU. Several elements were photographed on location at the New York Botanical Gardens (the central bubble abstract in the pool room, a birch fragment glowing in the afternoon sun, and Juncus Effusus from the Burle Marx exhibit this past summer). Several elements were photographed in my studio in New Haven, CT.  The central green orchid is a Paphiopedilum Citron hybrid from White Plains Orchids; and the midori green antherium and iris are from Compo Farms in Westport, CT. The fern is a box store patio plant, the red maple is on our front lawn and the majestic ginkgo is across the street.

This pano is one of two chosen as finalists for the month of December 2019:
http://www.artroomgalleryonline.com/exhibitions/2019/december_2019.html

BotanicalElements

Total Tech Trouble…

Yesterday was a tad challenging! After a 3 hr photo shoot in my newly set up downstairs studio, I put the sd card on mouse pad by the desktop before going to the gym to stretch.

It disappeared (gone), looked for an hour…this is a first…have to go back and redo the shoot…at first, frantic, then frustrated …went to sleep early…woke up resigned and determined…chalk it up to a new desktop workflow!!!
Yesterday, also decided to enter a photography competition sponsored by PDNedu (our lab at SCSU had a pile of the mags last semester, – Nikon sponsors this and it feels appropriate.  Amusingly, the write up of a student who qualifies for a Senior Citizen Discount, also may make a nice story.
Am so glad the studio is set up. Years ago, I had one in the  back of the store, Buds & Blossoms, (the paper rolled down over the books section)…it was functional and looked artsy. To the side, there was a beautiful long oval antique coffee table and a day bed with Laura Ashley material. The wallpaper matched. The sign outside was hand painted  by a phenomenal sign painter. All kinds of fine art flower books spread out, nothing commercial…even the original Martha Stewart Wedding book.
Unfortunately though, could never use the photo studio (no time after the arrangement was done and  had to be out the door).  I had  hired the then head of photography at  NYBG, Alan Rokach, to give me private lessons. At the time, I was obsessed with the challenge of photographing all white flowers and containers. We had to use hot blue bulbs to balance off  the color positive film. For someone who has straddled the digital divide, am really glad to be on this side:)…hence all the links to resources:) And, to continuing obsessions:
nextSteps
Yesterday, I found the original Ronaldo Maia Decorating With Flowers books from a back basement  room.  Inside there were few torn pages from a NYT 1999 article about a famous fashion photographer, David Seidner, who  went to Miami to photograph orchids. At the end of his very brief life, he did a beautiful very soft focus orchid series. He collaborated with Robert Fuchs who is legendary in the “orchid world.” When I first saw the soft focus series, it made much less visual and aesthetic sense to me. At the time, I was obsessed with the botanical work of Mapplethorpe. What was stored, though, was a very strong sense of fascination with the subject. Finding this article was a moment of joy!
From my current experience which is informed by many years of additional study and work, while all orchids present perfectly for literal photography, some also present as magnificently for a more abstract vision. Both approaches present new challenges.
So as 2020 arrives, here’s hoping for  smooth, botanically inspired sailing. And knowing that there will always be unfulfilled challenges.