First things first…for years I thought this was an orchid although my florist sense saw it as an iris…coincidentally it appears during the Orchid Shows…the plant info folks at the New York Botanical Gardens cleared that up for me lickety split….
and then, attempting to stay on track with my goal to learn how to use CaptureOne…this edit was done start to finish within the program…I was able to use a luma curve adjustment layer to achieve the tonal range in the blue. Having had a chance to peek behind the scenes of recent CaptureOne edits by the awesome Douglas Duber, I was able to sharpen a few areas and easily edit the colors to approach those I wished/remembered, and thus, add more drama and contrast. The controls in this program are very subtle yet powerful. Working with masks is starting to feel comfortable!
However, I am still having a few challenges with the healing adjustments and realize for the short term I may still have to roundtrip to PS to cleanup a few spots. For the sake of transparency…the spots are still here:)
Plan to go back next week and hope it’s still there…
Editing colors is fun and easy in CaptureOne…continually amazed by this program..the readouts are a lifesaver in terms of controlling the tonal range and preparing for a color managed print workflow.
The surface of this Paphiopedelum (far right) is very reflective and very dimensional so it’s always a balance between focus, exposure and need to use natural light. CaptureOne HDR controls are incredibly effective and sensitive. However, the surface of the orchid had many blemishes which required tons of touch up so it made sense to switch to PS for the final edits.
Each flower requires a different approach:)
7 days to go – the reflecting pool inside the NYBG Conservatory…
This room is peaceful and receives lots of natural light. Usually the pink passion flowers bloom late afternoon although I’ve never been able to predict when this will happen so it’s always a wonderful surprise. This year, surprise barely describes the room. The fountain is covered with moss and the water only circulates softly in the pool below. This means there are no bubbles to capture in the dark water below…just a slight sense of aquatic motion. The surface is covered with tiny green and red botanical growth which naturally clump together leaving space for the sky and glass supports to reflect in the water.
I took a photo workshop in Westville, CT this past summer and the leader told me it was best to get it right in camera so I did not have to spend time in Lightroom or Photoshop. Perhaps, she did not understand that I enjoy visiting The New York Botanical Gardens again and again or sometimes what makes one a decent photographer is the desire to improve each work. ..she announced to the group that I was “good photographer”. This did not feel like a compliment..it felt like a “slap” because I pressed my point and she then accused me of “acting like her teenage daughter.”
I always aim to be better and ignored her misguided advice which seemed based on expediency and not the desire to grow and thus, continue to do exactly what I enjoy.
This image is the result and, I can’t wait to go back again.
The color editor in CaptureOne is amazing…was able to isolate and pump up the saturation of the blues and greens.
9 days to go: this image was very challenging. Under macro magnification, the surface of this Phragmipedium has very tiny filaments which attract an incredible amount of debris. Perhaps, it is my background as a floral designer that prompts me to “perfect” the flower in post because it is obviously impossible to do this “in camera” at a highly curated orchid show:)
Additionally, because these orchids are terrestrial they are frequently presented near the ground. This presents another challenge…because any supplemental light will typically bounce off the beautiful, puffy pouch frequently creating a bit of a hot spot.
Knowing this going into selects for post , either I do edit it first or save it for near the last.
Something else really bothers me… the names that are usually placed very near the specimen. And, then there are the plastic clips and blue green supports that often hold the specimen in place.
So there is alot extra to edit. I was able to adjust the exposure, HDR and edit a specific color range, and a heal layer for the first touch up In CaptureOne. As a newbie with this program, still have to work with luma range and that will be the next challenge to tackle. Totally love this program and took the edit as far as possible for me before switching to Photoshop. for the pixel-based touch ups,. etc.
The plan, of course, is to go back down to NYBG soon, when it’s a less crowded than on member’s day and have fun trying several lighting set-ups: one with the R1C1 macro flash, another with a large diffuser on the SB 910 and another with the ISO cranked way up. No tripods allowed!
Naturally, my husband, got a perfect shot of a Paphiopedilum in camera with his iphone. His back faced a wall of windows which provided perfect natural light.
for the next 10 days, will post a new CaptureOne Practice Edit…the short term goal is to see significant progress in working with this exciting program…
#7 – this is the first time I was able to effectively use layers, masks and the incredible CaptureOne Color Edit controls to even out the color on a few slightly browned areas of this magnificently colored Vanda (central image in this montage)…it took me some time to figure out how to achieve this.
Just love this program!
for the next 11 days, will post a new CaptureOne Practice Edit…the short term goal is to see significant progress in working with this exciting program…
#6 – yesterday was Member’s Day/Orchid Show 2020 at the New York Botanical Gardens. The show designer, Jeff Latham, installed a kaleidoscopic, reflective, structure at the main entrance. This was awesome! Can’t wait to go back when the crowds thin a bit, although no one bothered me sitting on the ground as close as I could get to the display:)
Kudos for CaptureOne again: color readouts, HDR adjustments recovered what appeared to be clipped highlights, and a tad of cropping, a pinch of sharpening and a smidge of structure gave this image extra pop. Just love this program!
The points on the Kapok tree are always on the agenda for every visit, and on occasion, don ‘t mind stepping back to get all the swirls of an orchid:)
for the next 12 days, will post a new CaptureOne Practice Edit…the short term goal is to see significant progress in working with this exciting program…
#5 – (above) layers allow significant in program control (in this case – masking, opacity, color balance & color edit adjustments). This version has much more even color in a small area of an unfurled petals of this beautiful rose in Peggy Rockefeller’s Rose Garden at The New York Botanical Gardens.
I needed to go into Photoshop to repair a very damaged petal on the lower right and in retrospect might leave it untouched in a future exercise.
I was unable to adjust the lower right damaged petal in Lightroom (directly above) and could not even out the color in the slightly unfurled petal in the middle left. As the days go by, I am becoming more comfortable and pleased with the superior results of working in CaptureOne.
for the next 13 days, will post a new CaptureOne Practice Edit…the short term goal is to see significant progress in working with this exciting program…
#4 – layers allow significant in program control (in this case – healing) and this version has significantly more even color in the blue petals of the orchid than a previous Lightroom edit. This CaptureOne edit matches my memory of the flower and hope to see something equally unique tomorrow when we visit the Orchid Show at The New York Botanical Gardens. Wait for this day every year!!!
for the next 14 days, will post a new CaptureOne Practice Edit…the short term goal is to see significant progress in working with this exciting program…
#3 – this tool is simply humbling, more so than an impolite critique and we’ve all been thru those:) and makes a case for also trying CO tether!
Macro focus is a challenge for me…my first photography professor looked at an image and “sorta sniffed” and whispered “depth of field”…so for years f11 just always felt right…it still does, although recently have been exploring the opposite. On one hand, it feels liberating to open up my aperture to the max and actually get a strand of focus in just the right spot.
So the Focus Mask display in CaptureOne is a fantastic reality check. And, it’s also important to keep in mind personal values in terms of style and experimentation.